国外の掲載誌 |
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国内の雑誌・書籍は多数のため掲載していません |
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C : |
cover page |
area / country |
name of the magazine / book |
year- month |
number of the pages |
works |
Europe |
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Austria | ARCHITEKTUR&BAU FORUM | 1998-06 | 7 | INDUCTION CITIES |
ARCHITEKTUR' AKTUELL | 1998-11 | 8 | K-MUSEUM | |
SKYlines | 2002-02 | C | SUBWAY STATION/IIDABASHI | |
TWENTIETH CENTURY ARCHITECTURE | 2003 | 1 | AOYAMA TECHNICAL COLLEGE | |
Chikaku -Time and Memory in Japan- | 2005 | 19 | Ribbon, FIBER WAVE ( catalog ) | |
TOWARDS AN INTERACTIVE AND INTEGRATIVE DESIGN PROCESS | 2006 | 30 | INDUCTION CITIES , SUBWAY STATION/IIDABASHI,Tsukuba Express /Kashiwanoha-Campus Station | |
Intuition & the Machine (GAM10) | 2014 | 14+C | "ALGOrithmic Design Shin Minamata MON (Petra Eckhard, Daniel Gethmann ,Anselm Wagner,Urs Hirschberg / Birkhauser)" |
|
Atlas of Digital Architecture | 2020 | 2 | WEB FRAME / Subway Station IIDABASHI ( Ludger Hovestadt,Urs Hirschberg,Oliver Fritz / Birkhäuser) | |
Croatia |
Covjek I Prostor |
1997-09 |
2 |
K-MUSEUM |
|
||||
|
NOVI LIST |
1998-10-15 |
1 |
(jury work:international competition / newspaper) |
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|
Vecernji List |
1998-10-15 |
1 |
(jury work:international competition / newspaper) |
Czech Republic |
ERA21 |
2005 |
1 |
Shin-Minamata MON, KeiRiki-1 |
France |
L'Architecture D'Aujourd'Hui |
1991-02 |
1' |
AOYAMA TECHNICAL COLLEGE |
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|
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|
|
1992-10 |
2 |
JELLY FISH |
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|
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|
|
1997-06 |
2 |
FIBER WAVE |
|
||||
|
Casa Vogue |
1990-11 |
1 |
AOYAMA TECHNICAL COLLEGE |
|
||||
|
Connaissance des Arts JAPON |
1991 |
6 |
AOYAMA TECHNICAL COLLEGE |
|
||||
|
Annual Report |
1998 |
8 |
AOYAMA TECHNICAL COLLEGE K-MUSEUM |
|
||||
|
LO SPAZIO CONDIVISO (PALAZZO DELLE PAPESSE) |
2000-09 |
4 |
Jelly Fish II |
|
||||
|
GARDENS FOR THE FUTURE |
2000 |
1 |
FIBER WAVE |
|
ArchiLab |
1999 |
8 |
AOYAMA TECHNICAL COLLEGE, Jelly Fish, MURA-NO-TERRACE, K-MUSEUM, INDUCTION CITIES, SUBWAY STATION /IIDABASHI |
|
|
2001 |
8 |
AOYAMA TECHNICAL COLLEGE, Jelly Fish,MURA-NO-TERRACE, K-MUSEUM, INDUCTION CITIES, SUBWAY STATION/IIDABASHI |
ARCHILAB
JAPAN ORLEANS 2006 |
2006-11 | 8 | Tsukuba Express /Kashiwanoha-Campus Station,/Kashiwa-Tanaka Station,Shinkansen/Shin-Minamata Station | |
ARCHITECTURES EXPERIMENTALES 1950-2000 |
2003-06 | 4 | Jelly Fish |
BeauxArts | 2005-02 | 2 | K-MUSEUM |
Interactive cities | 2006 | ? | INDUCTION DESIGN | |
MONITOR | 2003 #18 | 4 | National Diet Building Project 2 | |
2003 #22 | 6 | TX (Tsukuba Express stations), Shinkansen / Shin-Minamata Station |
||
2004 #24 | 6 | MILAN 2004 | ||
2004 #25 | 6 | Tokyo duplexes | ||
2005 #29 | 2 | Tsukuba Express/Kashiwanoha-Campus Station | ||
2005 #30 | 4 | Tsukuba Express/Kashiwanoha-Campus Station | ||
2005 #33 | 15+C | RIBBON, Shinkansen / Shin-Minamata Station, Shin-Minamata MON, INOUT HOUSE (Shanghai House) | ||
2007 #42 | 7 | TOKYO HOUSE | ||
2009 #55 | 8 | RIBBONs | ||
L'ENJEU CAPITAL(ES) | 2009-10 | 2 | INDUCTION DESIGN,KeiRiki-2 (Centre Pompidou) |
Germany |
Deutsche Bauzeitung |
1991-12 |
2 |
AOYAMA TECHNICAL COLLEGE |
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|
|
||||
|
|
1997-08 |
5 |
MURA-NO-TERRACE |
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|||||
|
Bilder und Zeiten / newspaper |
1991-11-16 |
1' |
AOYAMA TECHNICAL COLLEGE |
|
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|||||
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JAPAN DESIGN (Taschen) / book |
1992 |
2 |
Zofar 1, Zofar 2 |
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|||||
|
Lufthansa Bordbuch |
1993-05 |
2 |
AOYAMA TECHNICAL COLLEGE |
|
|
|||||
|
iF Product Design Award |
1998 |
4 |
FIBER WAVE TOILET BOOTH (K-MUSEUM) |
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|
|||||
|
md |
1998-09 |
2 |
TOILET BOOTH (K-MUSEUM) |
|
|
|||||
|
BUILDING A NEW MILLENNIUM |
1999 |
10 |
MURA-NO-TERRACE, K-MUSEUM, NATIONAL DIET BUILDING |
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|
|||||
|
ALUMINIUM ARCHITECTURE |
2001 |
11 |
MURA-NO-TERRACE, K-MUSEUM |
|
|
|||||
STYLE | 2001-10 | 8 | SUBWAY STATION/IIDABASHI | ||
|
ARCH+ |
2002-05 |
10 |
INDUCTION CITIES SUBWAY STATION/IIDABASHI |
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|
|||||
|
A&W Architektur & Wohnen |
2001-10,11 |
2 |
SUBWAY STATION/IIDABASHI |
|
|
|||||
|
Sparda Bank 2001 |
2001 |
2 |
SUBWAY STATION/IIDABASHI |
|
Licht Heinrich Kramer / walter von Lom |
2002 |
12 |
FIBER WAVE |
||
ARCHITECTURE NOW! | 2002 | 10 | SUBWAY STATION/IIDABASHI | ||
2005 | 16 | Shinkansen / Shin-Minamata
Station Shin-Minamata MON ( Philip Jodidio) |
|||
|
2006 | 8 | SHANGHAI HOUSE |
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Architecture:Sculpture | 2004 | 4+C | K-MUSEUM (Werner Sewing) |
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Architecture : Art | 2005 | 4 | Shinkansen / Shin-Minamata Station, Shin-Minamata MON |
|
||||
PURE PLASTIC | 2006 | 4 | K-MUSEUM (Chris van Uffelen/BRAUN) |
|
|
||||
MODERN ARCHITECTURE A-Z |
2007 | 1 | SHANGHAI HOUSE, AOYAMA TECHNICAL COLLEGE, MURA-NO-TERRACE, SUBWAY STATION/IIDABASHI,K-MUSEUM |
|
|
||||
nterractive Environments with Open Source Software | 2008 | 7 | INDUCTION CITIES / INDUCTION DESIGN | |
|
||||
Stations contemporary design of train and metro stations |
2009 | 10 | Tsukuba Express /Kashiwanoha-Campus Station,/Kashiwa-Tanaka Station,Shinkansen/Shin-Minamata Station | |
|
||||
PUBLIC ARCHITECTURE NOW! | 2010 | 7 | RIBBONs ( Philip Jodidio/TASCEN) |
|
|
||||
DAS ARCHITEKTUR MODELL THE ARCHITECTURAL MODEL |
2012 | 2 | WING (SUBWAY
STATION/IIDABASHI) (Oliver Elser,Peter Cachola Schmal/Deutsches ArchitekturMuseum / catalog ) |
|
Hungary |
Science reflected in the arts
|
1999 |
|
FIBER
WAVE |
|
||||
|
OCTOGON |
2001-2 |
9 |
SUBWAY STATION/IIDABASHI |
Israel | Bait&Noi magazine | 2011 | ? | SUBWAY STATION/IIDABASHI |
Italy |
L'ARCA |
1991-01 |
8 |
AOYAMA TECHNICAL COLLEGE |
|
|
|||
|
|
1991-06 |
4 |
CHRONOSPACE, MERCIAN, T-ABLE 1, SO FAR, MORROW'S |
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|||
|
|
1993-01 |
1' |
CHRONOSPACE |
|
|
|||
|
|
1993-11 |
1' |
N.Y., PUBLIC TOILET |
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|
|||
|
|
1996-07/08 |
6 |
MURA-NO-TERRACE |
|
|
|||
|
|
1999-02 |
10 |
K-MUSEUM |
|
|
|||
2001-04 |
8+C |
SUBWAY STATION/IIDABASHI |
||
|
|
2003-11 |
6 |
Tsukuba Express, Shinkansen / Shin-Minamata Station |
|
|
|||
|
|
2004-02/27 |
8+C |
Shinkansen / Shin-Minamata Station |
|
|
|||
|
|
2005-03 |
7 |
Tsukuba Express, DRESSING OURSELVES |
|
|
|||
|
|
2005-06 |
8 |
SHANGHAI HOUSE |
|
|
|||
|
|
2005-09 |
1 |
Ribbon, FIBER WAVE |
|
|
|||
|
|
2007-04 |
8 |
TOKYO HOUSE |
|
|
|||
|
|
2009-07/08 |
8 |
RIBBONs |
|
|
|||
|
|
n265 |
1 |
K-Z |
|
|
|||
|
|
2011-07/08 |
32+C |
ALGODesign/ALGORITHMIC DESIGN/INDUCTION DESIGN |
|
|
|||
|
L'ARCA international |
1996-07/08 | 6+C | MURA-NO-TERRACE |
|
|
|||
|
L'ARCA PLUS |
2005-10 | 22 | HYOGO PREFECTURAL ART-CULTURAL CENTER, K-MUSEUM, SUBWAY STATION/IIDABASHI |
|
|
|||
|
MAKOTO SEI WATANABE |
1998 | full pages (143) +C |
( monograph / L'ARCAEDIZIONI / English text) |
|
||||
|
Ufficiostile |
1991-04 |
10+C |
AOYAMA TECHNICAL COLLEGE |
|
|
|||
|
|
1994-02 |
6 |
HYOGO PREFECTURAL ART-CULTURAL
CENTER, |
|
|
|||
|
|
1995-04 |
1' |
AOYAMA TECHNICAL COLLEGE |
|
||||
|
Interni |
1989-09 |
2' |
T-ABLE , C-HAIR |
|
||||
|
Modo |
1990-12 |
2 |
AOYAMA TECHNICAL COLLEGE |
|
||||
|
l'industria delle COSTRUZIONI |
1997-05 |
11+C |
MURA-NO-TERRACE, K-MUSEUM |
|
||||
|
THE THIRD AVANTGARDE IN ARCHITECTURE |
1999 |
4 |
K-MUSEUM,MURA-NO-TERRACE, AOYAMA TECHNICAL COLLEGE |
|
||||
|
PANORAMA |
2000-06 |
2 |
Venezia Biennale the FLUID CITY/SUBWAY 2000 |
|
||||
|
Metamorfosi Quaderni di Architettura n 40-41 |
2000-06 |
5 |
K-MUSEUM |
|
||||
|
COSTRUZIONI |
2001-04 |
12 |
SUBWAY STATION/IIDABASHI |
|
||||
|
INDUCTION DESIGN (INDUCTION CITIES ) |
2002 |
full pages |
( monograph / Testo&Immagine / Italian text ) |
|
||||
|
OFX 68 |
2002-09,10 |
7 |
SUBWAY STATION/IIDABASHI |
|
||||
|
infrastrutture e paesaggio urbano |
2004-04 |
5 |
Shinkansen / Shin-Minamata Station |
|
||||
|
THE PLAN |
2004-06 |
5 |
Shinkansen / Shin-Minamata Station |
|
||||
|
Trajectories Metamorph 9.International Architecture Exhibition (la Biennale di Venezia) |
2004 |
1 |
Shinkansen / Shin-Minamata
Station |
|
||||
|
DRESSING OURSELVES |
2005 |
3 |
( fashion design / catalog ) |
|
||||
|
IL GIORNALE DELL' ARCHITETTURA |
2005 |
1 |
Shin-Minamata Mon |
|
||||
|
ARCHITECTURE IN JAPAN |
2006 |
10 |
Shinkansen / Shin-Minamata Station |
|
||||
|
future
city experiment
and utopia in architecture |
2006 |
2 |
JELLY FISH-1,-2 , K-MUSEUM |
|
||||
makoto sei watanabe | 2007 | full pages (159) +C |
( monograph : works 2000-2008 / EDIL STAMPA / text : Italian and English ) |
|
|
||||
ARCHITETTURA CONTEMPORANEA/ GIAPPONE |
2008 | 4 | AOYAMA TECHNICAL COLLEGE | |
|
||||
Interior design: from project to proces | 2011 | 1 | INDUCTION DESIGN (SUN GOD CITY) (Politecnico di Milano, Maggioli Editore ) |
|
|
||||
Thoughts on a Paradigm Shift : The IT Revolution in Architecture | 2020 | 2 | INDUCTION DESIGN, etc ( Antonino Saggio / Lulu.com ) |
|
Netherlands | MARK | 2006-01 | 1 | Shinkansen / Shin-Minamata Station |
2006-12 | 2 | TOKYO HOUSE | ||
2009-06-07 | 2 | RIBBONs |
Poland | Architektura & Biznes | 2003-12 | 4+C | INDUCTION CITIES |
officedesigner | 2010 | ? | RIBBONs | |
Romania | architext | 2010-04 | 7 | RIBBONs |
Russia |
MOHUTOP unLimited |
2002 |
5 |
SUBWAY STATION/IIDABASHI |
MONITOR ( → France )
|
||||
ΠE | 2004-03 | 2 | Shinkansen / Shin-Minamata Station | |
TATΠNH | 2004-04 | 8 | Shinkansen / Shin-Minamata Station | |
2009 | 1 | (ICIF competiton jury work) |
||
08 ICIF ( IAKOV CHERNIKHOV INTERNATIONAL FOUNDATION ) | 2007-02 | 6 | (critique) | |
Dom&Interier (Home&Interior) | 2007-02 | 8 | SHANGHAI HOUSE | |
|
||||
Home&Decor | 2011 | 7 | Shinkansen/Shin-Minamata station, K-MUSEUM AOYAMA TECHNICAL COLLEGE, RIBBONs, DoMain |
|
Spain |
Arte y arquitectura: nuevas afinidades |
2000 |
1 |
FIBER WAVE |
|
||||
|
PASAJES |
2000-11 |
5 |
Venezia Biennale |
|
||||
|
ViA arquitectura |
2001-1 |
2 |
FIBER WAVE II |
Land&ScapeSeries:Artscapes | 2003 | 2 | K-MUSEUM, FIBER WAVE | |
a+t -in comon I- | 2005 | 14 | SUBWAY STATION/IIDABASHI, Shinkansen / Shin-Minamata Station, Shin-Minamata Mon, Tsukuba Express, |
|
CHIKAKU | 200510 | 19 | FIBER
WAVE II, FIBER
WAVE I-G |
|
FARODE VIGO | 20051008 | 1 | CHIKAKU Exhibition |
|
Atlas on contemporary architecture | 2009 | 1' | SUBWAY
STATION/IIDABASHI |
|
PROYECTO CONTRACT | 2010-n67 | 2 | SUBWAY
STATION/IIDABASHI |
|
Switzerland |
Hoch Parterre |
1991-09 |
2 |
AOYAMA TECHNICAL COLLEGE |
|
||||
|
JAPAN (Werd Verlag) |
1993 |
2' |
AOYAMA
TECHNICAL COLLEGE, |
|
||||
|
INDUCTION DESIGN |
2002 |
full pages |
( monograph / Birkhäuser / English text) |
|
||||
|
Stations |
2010 |
10 |
Shinkansen / Shin-Minamata Station, Tsukuba Express ( Chris van Uffelen / Braun Publishing AG) |
|
||||
Encounters and Positions: Architecture in Japan |
2017 |
14 |
"Shin Minamata MON |
|
U.K. |
Blue Print |
1996-08 |
2 |
MURA-NO-TERRACE |
|
|
|||
|
|
1996-12 |
3 |
K-MUSEUM |
|
||||
|
The Architectural Review |
1987-11 |
1' |
C-HAIR |
|
|
|||
|
|
1991-10 |
5 |
AOYAMA TECHNICAL COLLEGE |
|
|
|||
|
|
1996-07 |
5 |
MURA-NO-TERRACE |
|
|
|||
|
|
1998-12 |
2 |
Jelly Fish Series |
|
||||
|
World Architecture |
1994-11 |
1 |
AOYAMA TECHNICAL COLLEGE |
|
|
|||
|
|
1997-04 |
3 |
K-MUSEUM, HOMEPAGE |
|
|
|||
|
|
2001-04 |
5 |
SUBWAY STATION/IIDABASHI |
|
||||
|
World City TOKYO (Academy Editions) / book |
1997 |
4 |
AOYAMA TECHNICAL COLLEGE K-MUSEUM |
|
||||
|
NEW ARCHITECTURE |
1999 |
9 |
K-MUSEUM, FIBER WAVE |
|
||||
|
ZOO |
2000-11 |
1 |
Venezia Biennale |
|
|
|||
|
|
2001-06 |
8 |
SUBWAY STATION/IIDABASHI |
|
||||
|
Modern Japanese Garden |
2002 |
4 |
K-MUSEUM |
PLANTS & FLOWERS | 2003 | 1 | FIBER WAVE | |
Place,Time and Being in Japanese Architecture | 2004 | 2+C | K-MUSEUM, MURA-NO-TERRACE, FIBER WAVE | |
building for a future | 2004 | 4 | MURA-NO-TERRACE | |
archilab's urban experiments | 2005 | 4 | JELLY FISH Series, K-MUSEUM, SUBWAY STATION / IIDABASHI, Shin-Minamata MON, KeiRIki-1 |
|
Architecture : Art | 2005 | 4 | Shinkansen / Shin-Minamata Station, Shin-Minamata MON |
|
New Transport Architecture | 2006 | ? | Tsukuba Express /Kashiwanoha-Campus Station,/Kashiwa-Tanaka Station,Shinkansen/Shin-Minamata Station | |
Adaptive Ecologies correlated systems of living |
2012 | 14 | ALGODesign/ALGORITHMIC DESIGN /INDUCTION DESIGN (Theodor Spyropoulos/ AA) |
|
Ukraine |
PZU |
2005-10 |
1 |
SUBWAY STATION/IIDABASHI |
America |
|
|
|
|
Canada |
Inter |
1994-10 |
4 |
AOYAMA
TECHNICAL COLLEGE, |
|
|
|||
|
|
1996-09 |
3 |
MURA-NO-TERRACE |
|
|
|||
|
|
1997-04 |
4 |
K-MUSEUM |
U.S.A. |
The Upper East Side Resident / newspaper |
1993-06-17 |
1' |
N.Y., PUBLIC TOILET |
|
||||
|
The New Yorker |
1993-07-12 |
1' |
N.Y., PUBLIC TOILET |
|
||||
|
Daily News / newspaper |
1993-07-29 |
1' |
N.Y., PUBLIC TOILET |
|
||||
|
The role of colour in building identity |
1994 |
1 |
AOYAMA TECHNICAL COLLEGE |
|
||||
|
LD+A (Lighting Design+Application) |
1998-02 |
4+C |
FIBER WAVE |
|
||||
|
Neighbor / newspaper |
1998-06 |
1' |
FIBER WAVE |
|
||||
|
Pioneer Press / newspaper |
1998-01 |
1' |
FIBER WAVE |
Architecture : Art | 2005 | 4 | Shinkansen / Shin-Minamata Station, Shin-Minamata MON |
|
SUNDAY TIMES | 20070930 | 2 | JELLY FISH,SHANGHAI HOUSE, SUBWAY STATION IIDABASHI |
|
SHAPING SPACE the dynamics of three-dimensional design |
2006-02 | 1 | AOYAMA TECHNICAL COLLEGE | |
OMAHA WORLD-HERALD | 20070926 | 2 | FIBER WAVE (newspaper) | |
dwell -Color Comes Home- volume 8 | 200802 | 3 | TOKYO HOUSE | |
Interractive-Environments with Opensource software | 2008-12 | 1- | INDUCTION
DESIGN (Wolfgang Höhl / Springer Wien New York) |
|
Matter in the Floating World: Conversations with Leading Japanese Architects and Designers | 2012 | 12 | K-MUSEUM,
TX,RIBBONs,FIBER WAVE,WEB FRAME, AOYAMA TECHNICAL COLLEG,etc. (Blaine Brownell /Princeton Architecture Press) |
|
Vital Using the Weather to Bring Buildings and Sustainability to Life |
2014 | _ | FIBER WAVE (Kevin Nute / e-book) |
|
Dominican Republic | ARQUITEXTO Dominican Republic | 2006-12 | 2 | K-MUSEUM, SUBWAY STATION / IIDABASHI, AOYAMA TECHNICAL COLLEGE |
Asia |
|
|
|
|
Australia | Project Japan | 2009 | 10+1 | AOYAMA TECHNICAL COLLEGE,K-MUSEUM,SUBWAY STATION IIDABASHI,ShinMinamata Station,Tsukuba Express/Kashiwanoha-Campus Station/Kashiwa-Tanaka Station (Graham Cooper / images publishing) |
China | ARCHITECTURAL JOURNAL | 1998-09 | 5 | K-MUSEUM |
|
||||
Fang Zhenning Architecture.jpeg | 2002-11 | 13 | K-MUSEUM | |
|
||||
TRENDSHOME | 2000-12 | 4 | AOYAMA TECHNICAL COLLEGE, K-MUSEUM, Milan2001, SUBWAY STATION / IIDABASHI | |
|
||||
far2000.com | 2000-12 | 4 | AOYAMA TECHNICAL COLLEGE, K-MUSEUM, Milan2001, SUBWAY STATION / IIDABASHI | |
|
||||
VISION | 2003-01 | 10 | AOYAMA TECHNICAL COLLEGE, SUBWAY STATION / IIDABASHI | |
2003-03 | 8 | K-MUSEUM | ||
2003-06 | 4 | interview | ||
TOKYO TIFEI VISION | 2004-04 | 10 | K-MUSEUM, AOYAMA TECHNICAL COLLEGE, SUBWAY STATION / IIDABASHI |
|
VOGUE CHINA | 2005-09 | 1 | sketch | |
space Home of architect |
2006-01 | 2 (4) | Ribbon | |
a+a (architecture and art) | 2010-03 | 8 | SUBWAY STATION / IIDABASHI | |
(Diploma design of famous architects in Japan-2) |
2010-04 | 16 | (Diploma design ) (Taro Igarashi) |
|
air Macau | 2010-6,7 | 1 | SUBWAY STATION / IIDABASHI | |
21st world architecturte Ⅱ | 2010 | 2 | SUBWAY STATION / IIDABASHI | |
Hong Kong | Asia Magazine | 1991-11 | 2 | AOYAMA TECHNICAL COLLEGE |
Building Journal | 991-11 | 5 | AOYAMA TECHNICAL COLLEGE | |
1997-01 | 5 | K-MUSEUM | ||
1998-01 | 11 | THE
INDUCTION CITIES, JELLY FISH-3 |
||
Hinge | 1997 vol.39 | 2 | K-MUSEUM | |
men's uno | 2003-10 | 5 | K-MUSEUM, SUBWAY STATION/IIDABASHI |
|
TEA WEEKLY | 2005-02 | 4 | K-MUSEUM, AOYAMA TECHNICAL COLLEGE, SUBWAY STATION / IIDABASHI |
|
AEC + Interior Design Directory | 2006-2007 | 2 | K-MUSEUM, Shinkansen / Shin-Minamata Station, Tsukuba Express/Kashiwa-no-ha-Campus Station, SHANGHAI HOUSE |
|
FUTURARC NEW ARCHITECTURE | 2007 2Q | 4+C | Tsukuba Express / Kashiwa-no-ha-Campus Station | |
100×400 RIHAN.CC_77 Vol.2 |
2008 | 4 | Tsukuba Express / Kashiwa-TanakaStation, SHANGHAI HOUSE |
India |
Indian Architect & Builder |
1992-06 |
12 |
AOYAMA TECHNICAL COLLEGE |
|
|
|||
|
|
1996-03 |
12+C |
MURA-NO-TERRACE |
|
|
|||
|
|
1997-03 |
1 |
HONEYCOMB CHAIR |
|
|
|||
|
|
1997-04 |
12 |
K-MUSEUM |
|
|
|||
|
|
1998-04 |
1 |
JELLY FISH-2,-3 |
|
|
|||
|
|
2000-03 |
6 |
FIBER WAVE |
|
|
|||
|
|
2001-03 |
6+C |
SUBWAY STATION/IIDABASHI |
|
|
|||
|
|
2005-07 |
5 |
Shin-Minamata Mon, KeiRiki-1 |
Japan |
( Sorry, too many to list. ) |
|
|
|
Korea |
Concept |
2001-01 |
18+C |
JELLY FISH-1,-2,-3 |
|
||||
|
CA |
2001-01 |
46 |
AOYAMA TECHNICAL COLLEGE, K-MUSEUM, MURA-NO-TERRACE |
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2001-02 |
22 |
SUBWAY STATION/IIDABASHI, THE INDUCTION CITIES, Shinkansen / Shin-Minamata Station |
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2004-04 |
6 |
Shinkansen / Shin-Minamata Station |
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SPACE |
2008-12 (#493) |
1' |
AOYAMA TECHNICAL COLLEGE |
Malaysia |
Architecture ASIA |
2002-03 |
4+C |
SUBWAY STATION/IIDABASHI |
2004-03 | 4 | Shinkansen / Shin-Minamata Station | ||
Taiwan |
Artist |
2000-01 |
4 |
K-MUSEUM |
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2001-01 |
10 |
K-MUSEUM, Venezia Biennale, MURA-NO-TERRACE, Milan2001 |
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2006-01 |
4 |
FIBER WAVE - I (GRAZ), RIBBON |
TAIWAN ARCHITECTURE | 2005-12 | 48+C | K-MUSEUM, MURA-NO-TERRACE, AOYAMA TECHNICAL COLLEGE, SUBWAY STATION / IIDABASHI, Shinkansen / Shin-Minamata Station, Shin-Minamata MON, RIBBON, ATLAS, CoCoon, etc. | |
Insights of Smart Environment | 2005-12 | 21 | K-MUSEUM, FIBER WAVE, INDUCTION CITIES, SUBWAY STATION / IIDABASHI, Shinkansen / Shin-Minamata Station, Shin-Minamata MON, Tsukuba Express | |
TPLUS | 2008-03,04 | 5 | SUBWAY STATION/IIDABASHI RIBBONs | |
TAIWAN ARCHITECT | 2009-06 | 7 | RIBBONs | |
Dialogue | 2009 #135 | 8 | RIBBONs | |
Graduate works by famous architect in Japan 2 | 2009-09 | 18 | (Diploma design ) (Taro Igarashi) |
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Machina x Mind:International Architecture Workshop MaMiUU | 2021 | 100+C | Book-Workshops Faculty of Urban Life, Tokyo City University Department of Architecture, Tamkang University (Taiwan) (Makoto Sei Watanabe, Chen-Cheng Chen) |
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Turkey |
YIRMIBIRD |
2004-05 |
6 |
SUBWAY STATION/IIDABASHI |
UAE |
architecture+ |
2005 #8 |
1 |
Shinkansen / Shin-Minamata Station |
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